Original CMA exhibition Family Pictures explores the ways in which black photographers and artists have portrayed a range of familial relationships, from blood relatives to close-knit neighborhoods to queer communities.
Beginning with Roy DeCarava and Langston Hughes’s groundbreaking 1955 book The Sweet Flypaper of Life, the exhibition gathers photographic series, installations, and videos by an intergenerational group of artists, including John Edmonds, LaToya Ruby Frazier, Lyle Ashton Harris, Deana Lawson, Lorraine O’Grady, Gordon Parks, Sondra Perry, Ming Smith, and Carrie Mae Weems. Their images of family life often maneuver between intimate, everyday stories and broader political realities, between the universal human condition and the particular histories of race in the United States. As Lawson says of her work, “Every day is political, the everyday is personal.”
A touchstone for several of the artists in the exhibition is the work of Roy DeCarava (American, 1919-2009). Coming of age in Harlem during the 1940s, DeCarava reacted against what he saw as superficial stereotypes and “sociological” studies of his neighborhood by mostly white outsiders. With the aid of a Guggenheim Fellowship in 1952, the artist set out to create expressive photographs of life in his community. He eventually published 140 pictures along with text by Langston Hughes in The Sweet Flypaper of Life (1955), a fictional family album that tenderly captures intimate moments of domestic life both in Harlem and seemingly everywhere.